Sep 11 2007

It’s The Little Things You Do Together

It’s been a while since I had a Sondheim tribute post, which means it’s high time for another one!

Company was originally staged in 1970, with big names like Dean Jones and Elaine Stritch in the cast, and ran for 705 performances before closing on New Year’s Day, 1972. While the play is definitely a product of its time, both the book and lyrics are as wonderful now as the day they were penned.

Last year, John Doyle, the British director who had previously created a hit with the pared-down restaging of Sweeney Todd, brought Company back to Broadway, with the dreamy Raúl Esparza playing the bachelor lead, Robert.

A brief summary: Robert is handsome, personable and intelligent. Women want him, and men want to be him. Even so, he has never managed to remain in a relationship for any length of time. Through a series of vignettes, we are shown his conflicting desires for freedom and closeness, as well as the sometimes-rocky relationships of his married and coupled friends, whose imperfect examples he has taken a bit too much to heart. (You can read a scene-by-scene synopsis on the Musical Theatre International website.)

The Little Things You Do Together

Robert is at the home of Sarah and Harry, a married couple, when Harry demands that Sarah demonstrate her karate. They spar as Joanne comes out and sings a song about the joys of marriage.

Raúl Esparza as Robert
Kristin Huffman as Sarah
Keith Buterbaugh as Harry
Barbara Walsh as Joanne

Another Hundred People

Robert currently has three girlfriends: Marta, April and Kathy. Robert has revealing conversations with the latter two while Marta stays in the background and sings her take on New York’s peculiar society.

Angel Desai as Marta
Raúl Esparza as Robert
Elizabeth Stanley as April
Kelly Jeanne Grant as Kathy

Getting Married Today

It is the morning of Paul and Amy’s wedding day, and Robert, the best man, is at their apartment to help out. As Paul cheerfully sings his devotion to her, Amy becomes increasingly irrational and declares that she’s not “Getting Married Today.”

Raúl Esparza as Robert
Robert Cunningham as Paul
Heather Laws as Amy

Jun 3 2007

The Pride That Almost Was, and Then Wasn’t

The following events are probably my fault. If I hadn’t stayed up until the wee hours of the morning for the past two days, I wouldn’t have thrown my sleep schedule so completely off that I was tired even when I got up at eleven this morning. If I hadn’t missed taking my pills yesterday, my allergies and my mood might have been stabler. If I had gone to the 8:30pm- instead of the 9:50pm showing of Pirates of the Caribbean 3 last night, I wouldn’t have missed the last train, and I wouldn’t have had to walk ten blocks back home in my flip-flops, and I would have gotten to bed at a more reasonable hour and not have had blisters on the balls of my feet. If I hadn’t eaten such a large meal yesterday evening, I might have been hungry this morning, and I might have eaten more than a donut, a churro and an iced latte before heading over to the Pride Festival. But these are in the past. There’s no use mourning over them now.

As I said, I didn’t eat very healthfully this morning, but at first it didn’t seem to matter. I arrived at Library Square just in time to catch a showing of Fabulous: The Story of Queer Cinema in the Main Library Auditorium. It turned out I had already watched it, but that didn’t really matter, because it’s fairly good, and besides, I got to catch up with some friends beforehand.

After the film let out, I wandered upstairs to the third floor of the library and took some photos of the festival from above, before heading out into the crush myself.

I hadn’t been at Pride an hour before I had a really amusing blood-sugar crash. Chuckling fondly to myself while trying to keep from cussing out everyone who got in my way and/or from curling up into a ball and crying, I exited the festival to find something (inexpensive) to eat. As I left, I asked the guards if I needed to get my hand stamped in order to get back in. The guard waved me through, not even glancing at the handy little self-inked hand stamp at his elbow, saying that they weren’t stamping people’s hands anymore, and to just show my ticket at the entrance when I came back. All right, I thought. I think I can handle that. My stomach rumbled, and my vision wavered, and I started thinking about where I could eat instead.

How I love, love, love Salt Lake City. As Mr. Sondheim notes, “There are worse things than staring at the water as you’re posing for a picture being painted by your lover in the middle of the summer on an island in the river on a Sunday,” but I maintain that there is NOTHING worse than finding yourself hungry and cranky and dizzy in the middle of Salt Lake City on a Sunday.

After staggering around the Main Street area for nearly an hour (discovering that all the good places were closed and that the places that were open were either not good, or only served sugary sweets that would play even more hilarious tricks on my blood sugar levels), I settled on a Latino sandwich and juice place called Güero’s. The only vegetarian offering was the Queso Panela sandwich, which was surprisingly good, with mayo, mustard, tomatoes, lettuce, jalapeños, and (of course) queso panela. I finished eating, and, still feeling the effects of having negative serum glucose levels, I made my way back to the festival venue . . . only to discover that I had left my ticket at the charming little juice & sandwich shop. Thank heavens I got my hand stamped at the exit, right?

Oops.

Well, at that point, I decided there was no way I was going to pay another five dollars to get in when I hadn’t enjoyed the first forty-five minutes, I was in no condition to argue with anyone about why they should let me in without a ticket or hand stamp, and I didn’t have the energy to walk back to the sandwich shop on the off chance they had kept my ticket instead of throwing it away when they cleared my table. So I went home, feeling worse and worse and more and more agoraphobic and awful and paranoid until I almost couldn’t STAND IT—and then I walked in my front door and started to calm down.

My blood sugar has now apparently stabilized (an hour and a half later), but I think I’ve had enough of Pride for this year. I hope everyone else who went had a ton of fun, and didn’t get too drunk or too dehydrated or too sunburned. I’ll see you next year, and I pledge that, next time, I’ll get some sleep the night before, and eat breakfast when I get up. And maybe I’ll stay for more than forty-five minutes.

But maybe not. Maybe Pride just isn’t my thing.


Feb 2 2007

Simply Sondheim

Well, I’m pleased to inform you that A-J Productions‘ CD, “Simply Sondheim: A 75th Birthday Salute” is very, very good. The best part was rediscovering some classic Sondheim plays, like “Anyone Can Whistle” and “Pacific Overtures,” that hadn’t appealed to me the first time around.

Once again, head on over to the A-J Productions website for video and sound clips from the live performance. Now, if they would only release a concert DVD . . .


Jan 22 2007

I’ll Make It Up to Him Somehow

I know I’ve already run over my quota of Sondheim-centric posts this month (my agent only allows me one, to keep from driving away the Philistines in my readership), but it isn’t every day I receive an email from the man responsible for a highly acclaimed Sondheim tribute concert. Such an event deserves a post of its own, even if this will be the fourth time I’ll have mentioned Sondheim in the past two weeks.

The email was from James Brewer, producer of (and performer in) “Simply Sondheim: A 75th Birthday Salute.” Mr. Brewer recently happened upon the recent post where I wrote (or implied) that “Simply Sondheim” had opened in San Francisco and then had some kind of encore performance at the Hollywood Bowl. According to Mr. Brewer, this is incorrect; the only connection between the San Francisco and the Hollywood Bowl productions was Sondheim, his 75th year and his music. I’ve corrected the post in question to reflect this. Incidentally, Brewer’s co-producer (and co-owner of the production company, A-J Productions) is the very Amy Dondy whose performance of the Witch’s farewell was so effective. I’m embarrassed to say that I did not post any video clips that featured Mr. Brewer, and I hope he didn’t take that the wrong way.

But of course you can never have too much Sondheim (indeed, the idea is sheer gibberish), so head on over to the A-J Productions website to watch more video clips, listen to audio clips, and purchase the complete 2-CD set from “Simply Sondheim.” I’ve already ordered my copy, and I’ll be letting you know what I think. Next month, of course. If my agent permits.


Jan 17 2007

Random Videos

For that perfect blend of political sarcasm/vulgar snarkiness, you can’t beat Andy Cobb‘s YouTube offerings. Try lonelydem07 or Comics Heart The GOP for starters. (Remember, I said vulgar snarkiness. You have been warned.)

If you’ve never seen/heard of/listened to Stephen Sondheim’s Assassins!, check out this video for a banjo-plucking good time and powerful performances by Patrick Cassidy and Victor Garber.

The surreal tree-fight scene from Crouching Tiger, Hidden Dragon, with original dialogue (and subtitling)
vs.
The fight scenes from Zhang Yimou’s Hero, edited together and set to “Battle Without Honor or Humanity” from the Kill Bill soundtrack (and trailer)
vs.
Clips from House of Flying Daggers, set to music from the film.


Jan 11 2007

A Little Night of Music Videos

A Little Night Music is one of Sondheim’s masterpieces, a delicate and nuanced marriage of score, lyric and story. The following is a short synopsis, illustrated by videos from the New York Opera’s 1990 production. A more detailed plot can be found here.

Fredrik, a widowed lawyer, has married the eighteen-year-old Anne. Though he is wildly infatuated with her and she is fond of him, she is still a virgin eleven months after their wedding. At this point, their fragile relationship is threatened by the appearance of Désirée, an aging actress who was once Fredrik’s lover. In their first face-to-face conversation in years, Fredrik can talk of nothing but Anne, and tells Désirée, “You Must Meet My Wife.”

Désirée and Fredrik’s liaison is interrupted by the actress’s jealous current lover, the dragoon Carl-Magnus. Furious at Désirée’s “infidelity,” Carl-Magnus gets his own wife, Charlotte, to carry the tale of Fredrik’s illicit behavior to Anne. Charlotte and Anne, whose husbands have both betrayed them with the same woman, sing their bitterness and disillusionment with love in “Every Day a Little Death.”

An invitation arrives for Anne and Fredrik from Désirée’s mother: they have been invited up for A Weekend in the Country. Anne at first refuses, but Charlotte explains that this might be the chance to show Désirée up for the aging has-been she is. Charlotte herself will be forced to attend as well, as her husband means to crash the party and keep Fredrik away from their shared lover. Lastly, Fredrik’s repressed son Henrik decides that he will go because “it might be instructive to observe.”

The weekend has been a disaster, but in her bedroom Désirée reveals to Fredrik that her reason for inviting him was to renew their relationship, permanently this time. Fredrik turns her down, declaring himself to be still in love with his wife. In the regetful waltz “Send in the Clowns,” Désirée sings her regret and heartbreak for what might have been.

When Henrik attempts to commit suicide, Anne realizes that it is him she truly loves. They run away together, leaving Fredrik and Désirée alone with each other at last, and maybe this time for good.


Jan 11 2007

Another Sondheim Tribute

It has been much too long since my last ode to Sondheim, so here are some newly added videos of my favorite songs. The first four are from a performance of Simply Sondheim: A 75th Birthday Salute held in San Francisco. The fifth is from another birthday-tribute performance at the Hollywood Bowl. The sixth is from Broadway under the Stars in June 2006.

“I Remember,” from Evening Primrose
Featuring Judy Butterfield

Ella has lived a nocturnal life in a department store ever since she was six. This song is her wistful attempt to remember what the outside world was like. (You can read a synopsis of Evening Primrose here.)

“Last Midnight,” from Into the Woods
Featuring Amy Dondy

The witch’s exit song. My favorite part:

You’re so nice.
You’re not good, you’re not bad, you’re just nice.
I’m not good, I’m not nice, I’m just right!
I’m the witch. You’re the world.


“You Could Drive a Person Crazy,” from Company

Featuring Shay Oglesby-Smith, Stephanie Rhoads and Kelly Ground

Robert, an eligible, thirtysomething bachelor, wants a long-term relationship, but the example of his married and coupled friends has made him wary of commitment. Three of his sometime matches sing their frustration with his on-again, off-again dating style.

“Sunday in the Park with George,” from Sunday in the Park with George

It is hot on the Island of the Grande Jatte. The sun is blinding, the dress constricting, but Dot is determined to pose without moving for her lover, George. This was the opening number of the Pulitzer-Prize-winning play, and, with its length, opacity, brilliance and passion, it set the stage for the rest of the performance.

“In Buddy’s Eyes,” from Follies

Sally and Phyllis were once friends and performed together in the Weisman Follies. Now, thirty years later, Phyllis lives a life of ease and luxury married to Sally’s former lover, and Sally lives the life of a disappointed housewife with a husband who cheats on her at every opportunity. At the last Weisman Follies reunion, Sally puts a brave face on her life with this song, lying through her teeth about her accomplishments, her satisfaction–and her husband’s unwavering devotion.

“The Miller’s Son,” from A Little Night Music

Featuring Renee Elise Goldsberry

Petra, a loose-moraled parlormaid, declares her plans to have both fun and stability—but not too much stability!


Jul 22 2006

Wicked Stepmothers and Other Evils

There’s a disturbing story in the Guardian today, about a woman who only let her two stepdaughters eat when their father was around–which wasn’t often, since he apparently travels often on business. Her own two children are apparently well fed.

The subject of wicked stepmothers leads more or less directly to that delightful Sondheim play, Into the Woods. Here are a few videos I found on the internet:

Medley from the 1988 Tony Awards

Presenter: Angela Lansbury
Baker: Chip Zien
Baker’s Wife: Joanna Gleason
Cinderella: Kim Crosby
Jack: Ben Wright
Witch: Phyllicia Rashand
[Bernadette Peters was the definitive Witch, but Phyllicia Rashand does a good job here.]

Original Broadway Cast–Greens, Greens!

Baker: Chip Zien
Baker’s Wife: Joanna Gleason
Witch: Bernadette Peters [Told you she was awesome!]
Narrator: Tom Aldredge

Revival Cast–Jack Sells Milky-White
[Embedding blocked; click twice to view on YouTube.com]

Jack: Adam Wylie
Baker: Stephen DeRosa
Baker’s Wife: Kerry O’Malley

2002 Revival Cast–Agony
[Embedding blocked; click twice to view on YouTube.com]

Cinderella’s Prince: Greg Edelman
Rapunzel’s Prince: Christopher Sieber
Baker’s Wife (seen briefly in background): Kerry O’Malley

Original Broadway Cast–Giants in the Sky

Jack: Ben Wright

Revival Cast–On the Steps of the Palace

Cinderella: Laura Benanti
Jack: Adam Wylie
Little Red Riding Hood(?): Molly Ephraim

Revival Cast–Agony Reprise
[Embedding blocked; click twice to view on YouTube.com]

Cinderella’s Prince: Greg Edelman
Rapunzel’s Prince: Christopher Sieber

Video of the 2002 revival cast rehearsing

Narrator: John McMartin
Wolves: Greg Edelman and Christopher Sieber
Little Red Riding Hood: Molly Ephraim
Cinderella: Laura Benanti
Baker: Stephen DeRosa
Baker’s Wife: Kerry O’Malley
Witch: Vanessa Williams [Doesn't hold a candle to Bernadette Peters. Just so you know.]


Jun 22 2006

Sondheim Sampler

[Small update]

Here are three clips from three of Sondheim’s other musicals, each fantastic in its own right. Would you believe that I couldn’t find any worthwhile clips from Into the Woods on YouTube? Yeah, they all were either high school productions, or had Vanessa Williams in them. (Heavens preserve us!) Try the DVD with Bernadette Peters instead.

Send in the Clowns – A Little Night Music

Desiree mourns the loss of her lover, Fredrik, to marriage. When Fredrik’s young wife runs off with her stepson, he returns to Desiree and they vow to live a “coherent life” together.
Desiree Armfeldt: Glynis Johns (Mrs. Banks from Mary Poppins!)
Fredrik Egerman: Lou Cariou

You Could Drive a Person Crazy – Company

Four girls, puzzled and annoyed by the confusing signals Bobby sends them, band together to vent their frustration.
Lea Salonga, Maria Friedman, Ruthie Henshall, and Millicent Martin

I Am Unworthy of Your Love – Assassins

In a haunting duet, John Hinckley (attempted assassin of Reagan) sings his obsession to Jodi Foster while Lynette “Squeaky” Fromme (attempted assassin of Ford) sings hers to Charles Manson.
John Hinckley: Alexander Gemignani
Lynette “Squeaky” Fromme: Mary Catherine Garrison


Jun 16 2006

Sweeney Todd Sampler

Here are eight clips from one of my favorite musicals ever. The first two are samples from the current revival cast on Broadway, and include snippets of several different songs. Then I’ve included six full songs from the musical, in order, from various productions. Read the plot synopsis here! Also be sure to check out the 1982 Touring Cast DVD and the 2001 Concert DVD.

Sweeney Todd Revival Cast – Promo Video

A promotional video for the current Sweeney Todd revival on Broadway.
Sweeney Todd: Michael Cervaris
Mrs. Lovett: Patti LuPone
Tobias Ragg: Manoel Feliciano

Sweeney Todd – Patti LuPone Highlights

Patti LuPone in clips from “Worst Pies in London,” “A Little Priest,” and “By the Sea.”
Mrs. Lovett: Patti LuPone
Sweeney Todd: Michael Cervaris

Sweeney Todd Touring Cast – Poor Thing

Mrs. Lovett sings of the fate of Benjamin Barker’s wife. Original Touring Cast DVD
Sweeney Todd: George Hearn
Mrs. Lovett: Angela Lansbury
Benjamin Barker’s Wife: Sara Woods
Beadle Bamford: Calvin Rembsberg
Judge Turpin: Edmund Lyndeck

Sweeney Todd in Concert – Johanna

The duet “Johanna” from the 2001 concert version.
Sweeney Todd: George Hearn
Anthony: Davis Gaines
Johanna: Lisa Vroman

Sweeney Todd Touring Cast DVD – Pretty Women

Judge Turpin, pleased by his impending nuptials with his ward, Johanna, sings a duet with Sweeney Todd about “Pretty Women.”
Sweeney Todd: George Hearn
Mrs. Lovett: Angela Lansbury
Judge Turpin: Edmund Lyndeck
Tobias: Ken Jennings
Anthony: Cris Groenendaal

Sweeney Todd Touring Cast DVD – Epiphany

Crushed by the narrow escape of the Judge, Sweeney Todd vows vengeance on the entire human race.
Sweeney Todd: George Hearn
Mrs. Lovett: Angela Lansbury

Sweeney Todd Revival Cast – A Little Priest

While thinking of what to do with the body of “Adolfo Pirelli,” Mrs. Lovett has her famous bright idea.
Sweeney Todd: Michael Cervaris
Mrs. Lovett: Patti LuPone

Sweeney Todd Revival Cast – Not While I’m Around

Pirelli’s former servant/slave Tobias sings his devotion to Mrs. Lovett, and then makes a disturbing discovery.
Tobias: Manoel Feliciano
Mrs. Lovett: Patti LuPone


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